It’s that age old story; woman (Salma Hayek) can’t get pregnant, she and her husband (John C Reilly) get a visit from a magical old man, magical old man tells them to retrieve the heart of a magical underwater dragon and eat it raw.
It’s the sort of thing that makes In vitro fertilisation look like a swim in the lake. In this case it was a swim in the lake, but it was a more difficult swim in the lake because the king had to slaughter the dragon so his wife could eat the heart.
It’s enjoyable how this film taps into the human condition and vulnerabilities, despite its fanciful fairytale setting. Most specifically the story above deals with all the complexities surrounding the desire for parenthood.
Where modern stories would see a barren character head to the fertility clinic, Tale of Tales heads to the magical dragon. Perhaps this is a story as old as time. Both Into the Woods and The Tale of Princess Kaguya, are based on fairy tales dealing with parents who can’t produce offspring.
The themes of youth and childrearing don’t end there. Hayek’s albino son leaves her abandoned in a maze at one point – a mean trick to play on anyone’s mother; another king (Toby Jones) becomes more obsessed doting on his pet flea than his teenage daughter (Bebe Cave); and an old woman (Hayley Carmichael) convinces a witch to turn her into an younger and extremely pretty version of herself (Stacey Martin).
Adults wanting kids to love, kids wanting adults to love them, and adults wanting to be kids so adults love them. It’s a complex playing out of an inherent want for acceptance and purpose.
The film transcends its fairy tale environment to spin some of the oldest fairy tales, in the world (they are from The Pentamerone), into a cinematic masterpiece of fantasy that trumps similar fare like Stardust, Ella Enchanted and dare I say it The Princess Bride.